Monday, April 9, 2012

Within the Mind of Porphyria's Lover


          “Porphyria’s Lover” by Robert Browning is a poem in which the tables are turned on a woman by her demented lover. Our view of Porphyria and the situation is through the eyes of her lover and in his mind we are treated to his thoughts and his twisted logic. The beginning of the poem tells us a lot about how the speaker is feeling since he projects his feelings into describing the nature around him.
The rain set early in tonight
The sullen wind was soon awake,
It tore the elm tops down for spite,
And did its worst to vex the lake,
                                                                      (1-4)

            By his personification of nature, we can tell that the rain is meant to symbolize Porphyria and how her early arrival wakes up the “sullen” wind. The way she tears the “elm tops down for spite” could indicate the emasculating effect she has on him. Elm tops could be seen as a phallic symbol and the speaker sees her as tearing it down to spite him. The “rain” also vexes the lake, indicating how the man is annoyed by her actions.
And, last, she sat down by my side
And called me. When no voice replied,
She put my arm about her waist,
And made her smooth white shoulder bare,
And all her yellow hair displaced,
And, stooping, made my cheek lie there,
And spread, o’er all, her yellow hair,
Murmuring how she loved me-she
Too weak, for all her heart’s endeavor
To set its stuggling passion free
From pride, and vainer ties dissever,
And give herself to me forever.
                                                                                                            (14-25)
            In these lines, we continue to see his perception of her daring nature. She initiates the actions by first sitting by him and calling him to her. When he doesn’t respond to her, she takes his arm and places it on her waist and also places his cheeks on her. She begins to seduce him by showing her “smooth white shoulder bare (17). Her hair is free and flowing, indicating the freedom she possesses. She murmurs “how she loved” him, yet because of her “pride, and vainer ties” she cannot give herself to him forever. She is the initiator in their relationship, she goes to him, controls his actions and by the end of it, she is able to leave and he cannot posses her. Such actions by a woman of this time period can be emasculating to a man.
            In his twisted mind he comes to imagine that since she had “come through wind and rain” (30), that “Porphyria worshipped me:” (33). He makes it justifiable in his mind that since she has gone through all that trouble, she must truly love him with a deep passion. With his mind set on this idea, he devises a way so that they could be together forever. His insanity is highlighted as he sets his plan to motion.
A thing to do, and all her hair
In one long yellow string I wound
Three times her little throat around,
And strangled her. No pain felt she;
I am quite sure she felt no pain.
                                                                                                            (38-42)
            Irony strikes poor Porphyria as the very symbol of her freedom leads to her downfall. Her free-flowing hair is used as a weapon to take her life. In her lover’s twisted mind, he comforts himself by stating that he is “quite sure she felt no pain.” (42) In this, he believes that Porphyria wanted to be murdered and that she even enjoyed the pain that he has inflicted upon her.
            Once her life is gone, he now takes control of her and the tables are turned as it is he who moves her limbs. He “oped her lids” (44) so that he could look into her eyes and that in her eyes, he is the only man being reflected on them. He “…propped her head up as before,/Only this time my shoulder bore/Her head…”(49-51).  He untangles her hair from her neck and kisses her, in his mind he imagines that she “Blushed bright beneath my burning kiss:” (48) He imagines that his kiss alone still makes her blush, though in reality her flushed appearance is due to being strangled.
            His delusion goes further in that he sees her “…smiling rosy little head,/So glad it has its utmost will,” (52-53). In reality, Porphyria is dead, no longer have any will to defy him or to leave him. In his mind, he sees that she chose him and that “Her darling one wish would be heard.” (57); for them to be together. He rationalizes that his murder of her is justifiable since “God has not said a word!” (60) In his mind, he believes that God condones his actions because nothing bad has happened to them as they “sit together now/And all night long” (58-59).  

3 comments:

  1. I like to think of the Lover in this scenario as weak more than demented. He is no match for his lovers untamed beauty. Ahaha, alright though, really, sarcasm aside, seeing her with her hair down and being so forward is what finally throws him over the edge. I think more than anything, the poem alludes to the fact that men are weak, and so women must hide their femininity for man's sake, or they will suffer the consequences.

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  2. True, but in the process of being constantly emasculated by his female lover, the man can driven to the point of insanity.
    His insanity is highlighted by the fact that he feels no remorse for what he has done and rationalizes that God must be on his side for nothing bad has happened to him.

    From one perspective I can see your point about the man being weak in comparison to Porphyria's confident actions. Its not just he is weak, but because of what happens when he feels weak and emasculated. He could only take so much that he thinks this is the only way to rectify the situation. I suppose the world was not yet ready for strong women and this was a "cautionary" poem against their boldness.

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  3. Christine--I think you are right on when you suggest that it is his very perception of being weak that leads to his insanity. The fact that Porphyria is confident and sexually powerful cannot be reconciled, in his own mind, with his own masculine identity (which is rooted in the binary of female passivity and male strength). Thus his sense of his own emasculation that you draw out and his need to exert his strength and control through violence.

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