Perishing gloomily, (95)
Spurr'd by contumely,
Cold inhumanity,
Burning insanity,
Into her rest.--
Cross her hands humbly, (100)
As if praying dumbly,
Over her breast!
Owning her weakness,
Her evil behavior,
And leaving, with meekness, (105)
Her sins to her Saviour!
To begin, the woman did not jump off of the bridge to purify herself, a fact that Hood explicitly states in lines 96-99. He says that she was "Spurr'd by contumely" (Contumely is insolent or insulting language or treatment), cold inhumanity, and burning insanity into her rest. Society's hatred of her forced her to her death, she did not have any sort of righteous thoughts behind it. She could not handle the stress or hate.
But what's the most curious to me are lines 100-106. As established earlier in the poem, this woman committed suicide. In most faiths, this is a huge sin. As England, Hood's homeland, was Christian, we'll take a look at what Christianity has to say about suicide. According to the Catechism of the Catholic Church, suicide is "seriously contrary to justice, hope, and charity. It is forbidden by the fifth commandment" (Paragraph 2325). The fifth commandment states that "Thou shalt not kill." By her suicide, she isn't cleansing herself in the face of God, she's condemning herself. If you look closer at the final 7 lines, it isn't the woman that is crossing her hands to pray, but either the narrator or someone in the crowd. They're attempting to try to give her some form of faithfulness to God, some reason that her soul may not be condemned to hell for her mortal sins that went beyond prostitution and even committed murder. She isn't actually "owning her weakness" or her "evil behavior" and leaving "her sins to her savior" - they crowd only wishes that for her. According to traditional Christian faith, her soul is already condemned to Hell. The narrator's action is just a feeble attempt to save her.
But Hood doesn't leave the woman with just this small shred of hope of her corpse's hands fashioned for prayer; earlier on in the penultimate stanza, he mentions "burning insanity" (98). Assuming he's saying that the woman was insane, there is hope for her, although not too much. Paragraph 2282 of the Catechism of the Catholic Church mentions that "grave psychological disturbances, anguish, or grave fear of hardship, suffering, or torture can diminish the responsibility of the one committing suicide (my italics). If this woman was truly insane, she has the chance of having a lesser punishment for her sin. Although the chances are implicitly slim, there's still a shred of hope for her. Is Hood really saying that the fallen is redeemed, or is he just casting an illusion? Only God can know.
References:
http://www.scborromeo.org/ccc/para/2325.htm
http://www.olrl.org/Lessons/Lesson38.shtml
http://www.scborromeo.org/ccc/para/2282.htm
But what's the most curious to me are lines 100-106. As established earlier in the poem, this woman committed suicide. In most faiths, this is a huge sin. As England, Hood's homeland, was Christian, we'll take a look at what Christianity has to say about suicide. According to the Catechism of the Catholic Church, suicide is "seriously contrary to justice, hope, and charity. It is forbidden by the fifth commandment" (Paragraph 2325). The fifth commandment states that "Thou shalt not kill." By her suicide, she isn't cleansing herself in the face of God, she's condemning herself. If you look closer at the final 7 lines, it isn't the woman that is crossing her hands to pray, but either the narrator or someone in the crowd. They're attempting to try to give her some form of faithfulness to God, some reason that her soul may not be condemned to hell for her mortal sins that went beyond prostitution and even committed murder. She isn't actually "owning her weakness" or her "evil behavior" and leaving "her sins to her savior" - they crowd only wishes that for her. According to traditional Christian faith, her soul is already condemned to Hell. The narrator's action is just a feeble attempt to save her.
But Hood doesn't leave the woman with just this small shred of hope of her corpse's hands fashioned for prayer; earlier on in the penultimate stanza, he mentions "burning insanity" (98). Assuming he's saying that the woman was insane, there is hope for her, although not too much. Paragraph 2282 of the Catechism of the Catholic Church mentions that "grave psychological disturbances, anguish, or grave fear of hardship, suffering, or torture can diminish the responsibility of the one committing suicide (my italics). If this woman was truly insane, she has the chance of having a lesser punishment for her sin. Although the chances are implicitly slim, there's still a shred of hope for her. Is Hood really saying that the fallen is redeemed, or is he just casting an illusion? Only God can know.
References:
http://www.scborromeo.org/ccc/para/2325.htm
http://www.olrl.org/Lessons/Lesson38.shtml
http://www.scborromeo.org/ccc/para/2282.htm
The somber note of this possiblity causes me to wonder if any inference to insanity is actually refers to a causal relationship with syphilis which before antibiotics was a terrible scouge. If the woman was insane for that reason,a 19th century reader might well have thought it the 'wages of sin.' It seems a grim possiblity.
ReplyDeleteGood job challenging the other readings of the poem, Stephen. I would suggest that her suicide is not her own act of cleansing and redemption; rather, the *representation* of fallen women who have drowned themselves acts as a figurative cleansing of their sins. They cannot be embraced as prostitutes or "unchaste" women, but in death society can pity them and grant forgiveness. Surely it is significant that the method of suicide is in body of water (cleansing); Note also that in visual depictions drowned women are typically represented as beautiful, bordering on beatific. Still, you do well to focus on Hood's description of how society spurned her (a victim of bullying!?) and how they try to expiate *her* sins, not their own, in her death. One note: it would be better to turn to an Anglican or Protestant text, as Catholicism was a minority religion in 19th century England.
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